This is a good movie. It's a coming of age story in a blood-soaked Brazilian slum. There are some amazing, beautiful, wrenching scenes. But I think all the people calling this the best of all time, or thinking it's a landmark in cinema are really reaching. It's good. But it's not great.
The film employs a multitude of jump cuts, quick cuts, sharp or unusual angles, freeze frames, shots of the same scene from different perspectives and different lighting effects. Basically, there is a lot of slick, kinetic, jumbled editing and camera work going on here which looks cool for about the first hour and ten minutes when you first see it (I also loved, for instance, the chicken scene) and then it just starts to get old. But surely this visual style isn't what makes people hail the film as a masterpiece, because Guy Ritchie has been doing the same thing for years?
So it must be the storyline about violent out of control youths living in a slum, handicapped into a life of crime because of social circumstances. But what about Boyz In Tha Hood, Blood In Blood Out, La Familia and just about every other movie about crime in urban America? I guess City of God is better because it's in Brazil and Brazil is more exotic than Compton. And if you think this movie is an eye opener when it comes to social and economic inequality in the world, then I suggest you put down the PSP and start reading more National Geographic.
I won't deny that this movie is good and I enjoyed it very much. The scene where the kid shoots the other kid is very powerful, although the violence at that point reaches a level of cartoonish super villainy that sort of cheapens the impact. The entire sequence set in the Sixties is near flawless. And the way the slum is shot in all its gritty splendor is really wonderful. But after a while the non-stop violence and bloodletting becomes monotonous and repetitive and just sort of pointless. The movie definitely falls victim to a degree of hyperbole; you can't tack on the worlds "Based On A True Story" at the very end and expect the gratuitous violent excesses for dramatic purposes to just be forgiven.
The neorealist method of using actual people from those areas as actors was a great decision (and saved them a lot of money no doubt), and the kids turn in surprisingly natural performances. I also liked the way the story unfolded in a series of interconnected vignettes; if anything, the narrative structure is what makes this film a standout... unfortunately it just degenerates into too much of a bloodfest at the end; the creative team should have kept a tighter rein on it.