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Is noise music?

protovack

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Elma, WA
I found this quote and thought it might make a good topic
I also consider noise to be more tonal than music; infact, I view noise as arragements of tones and extreme frequencies -- sometimes related, sometimes not. I see most music as a series of sections (or loops, though nornally played 'live', with the exception of sample-heavy genres such as hip-hop or techno) repeated for several minutes, with a dynamic placed here or there. I find traditional instruments to be very limited at this point in time -- electronics, to me, suggest progress, since they rarely repeat themselves (especially if modified).

I encounter this viewpoint alot. I recall one instance where someone posed the question to me: "If someone opened their window at night and listened to the sounds of a populated city, and called it music, would they be right?"

To which you could respond, "Whatever I say is music is music." But what is the point of that? That is a cop-out answer. If we have any pretention at all of discussing anything, we must assume certain things about consensus and it's effect on meaning. The VAST majority of people would not say that the random sounds of a city street constitute music.

Therefore, maybe the above quote contains some truth. He says that most music is a series of repetitions with changes interspersed. That indicates some type of will behind the sound. Someone is directing the output. It seems pretty obvious to me that human agency has to be involved somewhere. But he goes on to make a value judgement as well. He says that it is the *lack* of repetition in electronic forms of music that suggest progress, because traditional instruments (which I take to mean acoustic) played by humans cannot execute the kind of mathematical precision required to make perfectly repeating sonic structures.

What a bunch of bullshit! Thousands of musicology research articles can prove that repetition at key points of melodies and especially rhythms are essential for establishing shared experience between the producer of music and the listener. Thus, I think I still firmly believe that the sonic arrangements called "electronica" do not count as music. I think that the creation of music must involve some sort of interpersonal communication (shared experience). Call this a "Groove" or whatever you like, I think it is a good definition of music. It must be a situation in which people, acting of their own accord, selectively rely on other humans for guidance. For example, a drummer and a bass player both rely on each other to create the backbeat and chord progression. Now, some people try to use the orchestra to disprove what I'm saying. They might say, well, an orchestra is entirely thought out before-hand and therefore isn't "spontaneous." But there is still a groove established between the conductor and the players! And the players are not deaf, they listen to each other. It still counts as music.

Another more precarious (and subjective) position that I sometimes take is that music must involve an emotional or intellectual empathy with the listener. It would be near impossible to explain this phenomenon, but for me it is easy to identify "music" that doesn't achieve this. I don't know why, but when I listen to music I want to feel like I am part of the equation somehow. Not like, someone is trying to sell me records, but that they are aware of the concept themselves, or something :) Basically, I feel that sonic arrangements which are purely selfish, disconnected from others, and non-repetetive, are not music.

I'm an acoustic instrument player so I'm a bit biased, but I'd be interested in what other people think about this :D
 
protovack said:

Thus, I think I still firmly believe that the sonic arrangements called "electronica" do not count as music. I think that the creation of music must involve some sort of interpersonal communication (shared experience). Call this a "Groove" or whatever you like, I think it is a good definition of music. It must be a situation in which people, acting of their own accord, selectively rely on other humans for guidance.



Another more precarious (and subjective) position that I sometimes take is that music must involve an emotional or intellectual empathy with the listener. It would be near impossible to explain this phenomenon, but for me it is easy to identify "music" that doesn't achieve this.

When I trip and my ego splits, my surroundings becomes an aware entity and it's sounds are music to my ears.
 
all music is noise and even if you have no appreceation for ambient music or the rythom of an egoless external world one can always grasp their own heart beat , their own rythoms sensery intake and construe what is no doubt music, so in essence all music is undoubtedly noise and all noise is undoubtedly music the misconception lies in the depiction of noise meaning, noise that one finds irratating.

The primal essence of the beat is no doubtedly one of the purest forms in which you spoke of involving the whole interaction and guidance thing, however I firmly believe no instrument will ever possess me the way a good keyboard can. Electronica is the only way of a technologicly evolving future, AND IT KICKS ASS!
 
Defining music is like defining art. While there are dictionary definitions to them.. these are words that are completely subjective and created solely for communication's sake.

There actually is a genre of music called "noise" sometimes spelled "noize". And literally it is nothing but banging and lots of wierd shit. Sometimes there's patterns in it..sometimes not. Reflecting on art history though.. it seems to be a modern Dada. Dada was an anti-art movement in Berlin during WWII. Stating that all that could be done with traditional art had been done.. so they mocked it. They very name of their artistic movement mocks the other names such as "surrealism" "cubism", etc.. The term "Dada" was chosen by a person (forgot the name) with closed eyes.. flipped open a french dictionary and allowed their finger to land on a random word. This word being "dada" meaning "hobbyhorse." The we hanging urinals in museums, tilting them slightly. Making collages of random pieces of construction paper while blindfolded. Poetry.. without words. Known as phonetic poetry. Creating "words" that had no meaning, sometimes no vowels.. or all vowels. Focusing purely on the sound of syllables.. of what seems to be random letters.

People once had a great idea of what poetry is. Then people like EE Cummings comes along and fucks their world up by violating rules of grammar and sentence structure. Violating ideas people once held about meter in poetry. Today he's considered a great and innovative poet. :\

Everyone is going to look for something different in their art. Every creator is going to look for something different, every audience is. An audience may find a creator that never intended for it to be art. That creator may very well be... nature.. society.. machines, etc...

Now while i find these abstracts, rebellions, and interpretations fascinating.. i honestly can't stand them nor do i appreciate them as i would what i consider has artistic merit But that's me.. who am i to lay down a blanket definition and define that for everyone else?

Imagine placing a rapper in the eras of the original opera houses. Do you think they'd define that as art? or Music? Art should have total freedom in its definition. In reference to the audience and the creator. If it ceases to have that freedom, it loses it's wonder and purpose i think. Now.. if art has this freedom, it doesn't mean i have to like it or dislike it.

For instance.. i think most radio rap is total and complete shit. And i have my reasons for which i make that judgement. As you will notice from several of the arguements I've had recently in Music and Djs, there's a certain individual who views it quite differently than I. Of course each individual is going to feel righteous in their opinion about what is good.. what sucks.. and have a reasoning for it.

I largely agree with Alex Grey's "Mission of Art" and the transcendental direction it should go in. I also have a large appreciation for HR Giger's work. If Giger were to conform to what Grey thinks, more than likely his work wouldn't be any good.. that's not what he does.

Going to a "Stomp" show.. or watching Dancer in the Dark (musical film with Bjork) one can easily see how music is all around us.

Looking at nature.. the cliche of people finding comfort and serenity in bird songs.. the sound of the breeze..ruffling of tree leaves and branches.. all harmonizing in a way. That can very easily be enjoyed astheticly and appreciated the same way in which music can.

My parents do not consider hardcore heavy metal.. or rap "music" for instance. It doesn't care a "tune". Rappers can't "hold a note". While i toy with them and tell them country in many ways (that's another discussion) is exactly like hip hop, just to open their minds.. they just refuse to accept that.

My father doesn't consider anything overly "offensive" to be art. Such as photography that ventures into the pornographic. Or music that has too many 4 letter words. Would my parents be correct in their attempt to define music or art? I don't think so. But, i don't think anyone can be.

Like i said.. it's all subjective.
 
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There was this concert that the guy just sat on the piano for 4 minute and he made the audience noise to be music.Read it my music book.So yea noise can be music.
 
>>"If someone opened their window at night and listened to the sounds of a populated city, and called it music, would they be right?"
>>

If an automoton walks down burnside, and says, "the sound of the street is music to me," is it music?

ebola
 
Any sound that evokes emotion or rythym (regular or irregular) i think can be classified as music...i think good music should evoke both...

Look at many shamanic and eastern cultures and the simple drum beats used to evoke different states of mind..... i think this kind of thing is one of the simplest and truest forms of music...... the techno/dance phenomenon and its success can be in part attributed to some primal relationship between ourselves and continous repetitive beats....

allthough britney spears music has some kind of beat....and it does evoke the emotion of hate in me............but i refuse to call it music! hehe
 
Seriously, now...

>>What a bunch of bullshit! Thousands of musicology research articles can prove that repetition at key points of melodies and especially rhythms are essential for establishing shared experience between the producer of music and the listener. Thus, I think I still firmly believe that the sonic arrangements called "electronica" do not count as music.>>

How does the latter follow from the former?

>>Now, some people try to use the orchestra to disprove what I'm saying. They might say, well, an orchestra is entirely thought out before-hand and therefore isn't "spontaneous." But there is still a groove established between the conductor and the players! And the players are not deaf, they listen to each other. It still counts as music.
>>

1. One person, playing a piano to herself.
2. One person, playing a piano to another person.

>>Another more precarious (and subjective) position that I sometimes take is that music must involve an emotional or intellectual empathy with the listener. It would be near impossible to explain this phenomenon, but for me it is easy to identify "music" that doesn't achieve this.>>

Why would this preclude electronic music from being music?

>>I'm an acoustic instrument player so I'm a bit biased, but I'd be interested in what other people think about this >>

Worry not. No one is unbiased about anything.

>>Defining music is like defining art. While there are dictionary definitions to them.. these are words that are completely subjective and created solely for communication's sake.>>

While I have hesitations with calling language subjective, we will find similar problems when trying to define any word.

ebola
np: venetian snares
 
I see the problem here - it's the classic error of Aristotlean essentialism. The question is simply the wrong way round. There's no point claiming that "music" is an essential object, for which an exhaustive definition may be found by divers means. "Music" is just a label we give to various phenomena. If you don't want to label a particular phenomenon "music", you can call it something else - but it won't change anything.
 
Ack, I didn't start this thread just to get pounded with post-modernism. I was looking for people to say, "Well, OK, but here is what *I* think music is or should be." Maybe I didn't make that clear 8)

We all know that anything that anyone calls music, becomes music. Thats great, the person next to me clicking their pen is creating music the instant that I start paying attention to it. What a pointless line of discussion. I wasn't trying to demand that everyone adhere to my objective view of music. I was presenting my perspective, and I wasn't pretending that I don't have one. That was supposed to be a cue for other people to maybe do the same. I don't know maybe this thread belongs on the Music and DJ's forum, but somehow I don't think so. There is alot about music that you can discuss from the perspective of thought and awareness. Let's not bury the issue in post-modernist junk.

What I'm looking for I guess is an explanation for the extensive interest in electronica, specifically non-melodic and non-rhythmic types. There are people with real passion for this stuff, and I just don't get it. I've heard things before like, "it sounds novel" or "it twists my mind in knots." But that doesn't seem to explain the intense interest people have in this stuff.


BTW, what is so bourgois about my thoughts on music ebola?
 
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1. One person, playing a piano to herself.
Oops, it appears that I overlooked a crucial error in my entirely objective and reasoned definition of music :) I guess I'm wrong. End of thread.

Why would this (empathy with listener) preclude electronic music from being music?
Depends on amount of human agency. Someone playing an electronic keyboard is fine. Someone twisting an oscillator knob while a drum machine makes the song is not.


While I have hesitations with calling language subjective, we will find similar problems when trying to define any word.
Exactly. I'm not sure why music and art in general get such a beating by the crazy relativists. Pick any symbol ever created by anything, and you can attack it in the same way. For example, you could deny the existence of this message board by saying "Thought and Awareness" are human constructs, illusions that keep us reproducing. Well thats FINE with me. I will continue to argue that it is entirely valid for this message board to exist, because I think it changes physical reality for the better in that people exchange information and sharpen their minds, making their own lives more satisfying, and possibly the lives of others. Ah, but "satisfaction" is just a social construct right, just another illusion. :X
 
protovack-

so what do you concider electronica, if it isnt music?

it evokes a physical reaction (dancing and head-bobbing)
it can evoke an emotional reaction (sasha's Xpander makes me almost cry)
it can even evoke spirtual reactions (ever seen a bunch of psytrancers?)
 
Music is appreciable patterns of sound. Does some one appreciate it? Then it is music to them.

For the human mind, we generally find interest in patterns. Patterns of light, sound, touch. Maybe it all goes back to the rhythm of our heartbeat or the in-out of sex or the in-out of breathing. That is a very basic pattern. Music generally adds more complexity.


Find music that has no pattern whatsoever, if you can. I think patterned noise may be the essence of music. When I hear some sort of death metal crap, which is all distortion and noise to me, I still notice that there is a pattern to the noise. Hell, a set of industrial machines operating in rhythm can create a sort of music.

Anyway, I think that you'll find "pattern" to be the essence of music.

And it also follows that every noise has the potential to be music if it is incorporated into a pattern. Play three discordant notes on a guitar. It seems like unpleasant noise. But there is a way to then play more notes that eventually come back to that dischordant trio again and again and soon you are tapping your feet and singing along.

Noise is just sound waiting to become part of a pattern that some one can appreciate. Maybe it doesn't happen for all noise. Or maybe it does, but you need a longer attention span or better hearing than humans to notice.

~psychoblast~
 
Ok so I will admit my definition of music isn't really useful. But when you say music is "patterned" noise....does a human need to be completely in charge of the pattern?
 
>>But when you say music is "patterned" noise....does a human need to be completely in charge of the pattern?>>

okay...I will posit that music is sound-art. For what I think art is, check out the art chapter in Dewey's Experience and Nature.


>>Oops, it appears that I overlooked a crucial error in my entirely objective and reasoned definition of music I guess I'm wrong. End of thread.
>>

But you see what the piano example was getting at, right?

>>Someone twisting an oscillator knob while a drum machine makes the song is not.
>>

Right, but the drum machine does not program itself (not to mention that those who try to get the sequencer to program itself end up with garbage-trance). Agency is involved; it is only the temporal quality of this agency that differs in the realm of electronic music. I'm thinking you place so much weight on this temporal quality because of your experience as a musician and the crucial part played by that quality in your empathy with the player playing. Others will find other, unique empathetic connections.

>>Ah, but "satisfaction" is just a social construct right, just another illusion. >>

Why would social constructs necessarily be illusory or unreal?

>>What I'm looking for I guess is an explanation for the extensive interest in electronica, specifically non-melodic and non-rhythmic types>>

I'm not your guy. I need melody and/or rhythm. any musique concrete or japanoise fans round here?

>>BTW, what is so bourgois about my thoughts on music ebola?>>

What is so bourgeois is that it is seriously entertaining to call stuff bourgeois willy-nilly!

ebola
np: venetian snares (is this music?)
 
Here's something that might be of interest:

http://science.slashdot.org/article.pl?sid=04/06/28/0046201&tid=141&tid=134&tid=14

Do Music and Language Obey the Same Rules?


Posted by michael on Mon Jun 28, '04 02:01 AM
from the i-before-e-except-after-middle-c dept.
Emre Sevinc writes "Ever felt as though a piece of music is speaking to you? You could be right: musical notes are strung together in the same patterns as words in a piece of literature, according to an Argentinian physicist. This article in Nature states that Damián H. Zanette's analysis also reveals a key difference between tonal compositions, which are written in a particular key, and atonal ones, which are not. This sheds light on why many people find it so hard to make sense of atonal works. In both written text and speech, the frequency with which different words are used follows a striking pattern. In the 1930s, American social scientist George Kingsley Zipf discovered that if he ranked words in literary texts according to the number of times they appeared, a word's rank was roughly proportional to the inverse of the its frequency squared. Herbert Simon later offered an explanation for this mathematical relationship. He argued that as a text progresses, it creates a meaningful context within which words that have been used already are more likely to appear than other, random words. For example, it is more likely that the rest of this article will contain the word 'music' than the word 'sausage'. Physicist Damian Zanette of the Balseiro Institute in Bariloche, Argentina, used this idea to test whether different types of music create a semantic context in a similar fashion."

http://www.nature.com/news/2004/040614/full/040614-11.html

Be sure to check out the Slashdot link, as there are numerous links inside the text.
 
Hee hee hee - "pounded by postmodernism" indeed. My argument doesn't come via Derrida or Foucault - rather from Karl Popper, who predates postmodernism somewhat. If I can paraphrase my understanding of your argument protovack - "Some things that are called music I like, and some things that are called music I don't like, or even understand. Some of these latter things I choose to call not-music." Am I close? *clicks pen furiously*
 
I would say "music is music when frequency of pitch reaches a certain level." After all, all sound is made of pitches, and human ears can distinguish a very limited spectrum of sound. But then I realized that we consider drums and other percussive instruments, which may produce only one or two pitches, to be musical instruments.
Music, I think, has more order to it than just plain "noise." It has a set rhythm; though that rhythm can change, a good musician is in control of the shift.
The comment about the noise of the city being music got me to thinking about a little thing I do once in awhile when I'm using the ATM at a grocery store. I like to listen to the beep from the cashier counter as food is scanned through. Most grocery store cashiers keep a VERY steady meter when they scan items, so I press buttons on the ATM between the beats of the scanner, so that it creates a quicker, steady beat. I can't explain it very well, but try it sometime. It's fun. :)

I really like topics like this. I frequently think of music as this sealed fortress that only the "gifted" can enter (I'm a frustrated amateur pianist and singer) and things like this kinda help demystify it. Which is good.
 
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