Benefit
Bluelighter
Not a remarkable film, but I would call it solid.
The basic premise, as I'm sure you all know, is that a guy one day hears a disembodied woman's voice narrating the daily events in his life; it turns out an author with writer's block is trying to finish her story and somehow her narrative has taken over control of his life and consequently his destiny. If I wanted to be a total pompous academic dork I would launch into a lengthy discussion about how this film integrates the notion of personal freedom into a predetermined fictional framework and all the abstract implications this carries with regards to free will and other philosophical gibberish. But I think that would be stupid.
Acting
It necessarily features a fairly under-stated Will Farrell; the humor is... I guess you could say subtle. Certainly he's not banging on any cowbells or yelling "Shake'n'Bake!" Emma Thompson's performance as a neurotic author grates a little; Queen Latifah is bland and boring; Maggie Gyllenhaal manages to be both seductive and a little off-putting in her role; Dustin Hoffman is pretty darn good but not stellar. Overall, the acting was mediocre; definitely not bad but nothing that would occasion comment.
I like to see how different creative minds tackle metafictional frameworks, and writer Zach Helm does a good job of crafting a non-traditional story that bends narrative convention in a refreshing way. He's no Charlie Kaufman, but maybe Kaufman is overrated anyway. The climax really should have trended toward a darker conclusion, but overall the concept works. Calculation-themed graphics are woven into many of the shots, and the production value is high with good solid camerawork and editing.
The music fits very, very well with the flow of the story (Whole Wide World by Wreckless Eric is used to great affect).
I recommend this film.
The basic premise, as I'm sure you all know, is that a guy one day hears a disembodied woman's voice narrating the daily events in his life; it turns out an author with writer's block is trying to finish her story and somehow her narrative has taken over control of his life and consequently his destiny. If I wanted to be a total pompous academic dork I would launch into a lengthy discussion about how this film integrates the notion of personal freedom into a predetermined fictional framework and all the abstract implications this carries with regards to free will and other philosophical gibberish. But I think that would be stupid.
Acting
It necessarily features a fairly under-stated Will Farrell; the humor is... I guess you could say subtle. Certainly he's not banging on any cowbells or yelling "Shake'n'Bake!" Emma Thompson's performance as a neurotic author grates a little; Queen Latifah is bland and boring; Maggie Gyllenhaal manages to be both seductive and a little off-putting in her role; Dustin Hoffman is pretty darn good but not stellar. Overall, the acting was mediocre; definitely not bad but nothing that would occasion comment.
I like to see how different creative minds tackle metafictional frameworks, and writer Zach Helm does a good job of crafting a non-traditional story that bends narrative convention in a refreshing way. He's no Charlie Kaufman, but maybe Kaufman is overrated anyway. The climax really should have trended toward a darker conclusion, but overall the concept works. Calculation-themed graphics are woven into many of the shots, and the production value is high with good solid camerawork and editing.
The music fits very, very well with the flow of the story (Whole Wide World by Wreckless Eric is used to great affect).
I recommend this film.