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DVD Format Wars: Blu-Ray vs. HDDVD

Banquo

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Currently, owners of high definition televisions are not getting full use of their television's capacity for recorded media. Standard DVDs do not have the capacity for 780 or 1020 resolution, and do not have the space that the next generation of gaming will demand. With the new Playstation containing a Blu Ray player and HDDVD players scheduled for release as well, the format wars will heat up very soon. However, with the recent defection of from the HDDVD camp into the Blu-Ray camp, some have argued that the format wars are already over. One noteable holdout is Microsoft, which seems to be sticking with HDDVD.

It is my understaning that the Blu-Ray disc will hold 50 GB on a dual layer disc, whereas an HD-DVD will only hold 30 GB. HD-DVD would be cheaper and it would be easier for manufacturers to switch over to HD-DVD production. But for video and audiophiles, it seems like a no brainer that Blu Ray would be preferable since it will hold more information

However, there is word that Blu Ray will carry a signinficantly more complex copy protection feature, including a player hook up that will communicate with some central computer to make sure that the disc has not been pirated or illegally copied. Some believe that this an unnecessary invasion of privacy. Proponents argue that without comprehensive copy protection, the new format will lead to a road where piracy will cripple the motion picture industry as it has the music industry.

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Forrester: Blu-ray Winning Drawn-Out Format War
New York Times

Sony's Blu-ray format for next-generation DVD drives will win over Toshiba's rival HD DVD format, analyst firm Forrester predicted Wednesday--but it won't be a quick victory.

"After a long and tedious run-up to the launch, it is now clear to Forrester that the Sony-led Blu-ray format will win," Ted Schadler, a Forrester analyst, said in a report. "But unless the HD DVD group abandons the field, it will be another two years before consumers are confident enough of the winner to think about buying a new-format DVD player."

Also on Wednesday, Blu-ray backer Hewlett-Packard said it has appealed to the group to incorporate two HD DVD features: mandatory "managed copy," which will mean consumers will always be allowed to copy movies to their computers' hard drives, and iHD, a Microsoft-designed technology for interactive features.

But Blu-ray has several advantages that will help it win the day, Schadler said. HD DVD is a one-trick pony for video playback, but Blu-ray is also designed for games and computers, he said. Indeed, its inclusion in millions of Sony's next-generation video game consoles is a factor. And when former HD DVD loyalist Paramount endorsed Blu-ray, it shifted the movie studio momentum. Finally, although Blu-ray manufacturing will cost a little more initially, it offers more capacity and employs a proven technology, Java, for interactive features.

But unless the HD DVD camp throws in the towel--a move Schadler recommended--the victory will be slow in coming. "Consumers will postpone a decision until the winner is obvious. The war between Betamax and VHS trained a generation of consumers to be wary of competing formats. Many consumers were caught with an expensive device that couldn't play the movies available at the video store," Schadler said.

Also slowing things down: The image quality of today's DVD is good enough that most people won't be itching to switch until high-definition TV is much more widespread.

The arrival of powerful networks has added a new twist to the situation, Schadler said. "The irony of this format war is that it comes at the tail end of the century-long era of physical media." Increasingly, people order movies on demand or watch Internet video.

In the computing industry, Schadler's prediction doesn't bode well for Intel and Microsoft, which allied themselves with HD DVD in September. Days after, Intel's two main PC chip customers, Dell and HP, reaffirmed their Blu-ray commitment.

Based on discussions with Panasonic, which has a pilot Blu-ray manufacturing plant in Torrance, Calif., Schadler believes HD DVDs will be only "pennies per disc" cheaper to build once Blu-ray manufacturing hits full speed.

Technologies such as Intel's forthcoming Viiv and Microsoft's Media Center help put PCs at the center of consumers' electronic entertainment gear, so it's no surprise the companies want the managed copy feature required by HD DVD. But studios are likely to prefer Blu-ray because it "allows...a higher level of copy protection," Schadler said.

http://www.nytimes.com/cnet/CNET_2100-1041_3-5902753.html
 
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Studios Announce First Blu-ray Disc Titles
Source: ComingSoon.net January 4, 2006

With the 2006 International CES technology show getting underway in Las Vegas, studios have announced their first titles for the next-generation home video format, Blu-ray Disc (BD), which provides five times larger capacity than today's DVDs. Blu-ray Disc players will be fully backward compatible with current CD/DVD formats, delivering entertainment content in full high-definition (HD) quality, under a secure environment made possible through the most advanced copyright protection technology. Featuring 1920x1080p HD quality, the Blu-ray Disc ROM technology will also be included in Sony's Playstation 3.

Sony Pictures Home Entertainment (SPHE) (with MGM Home Entertainment) has announced 20 initial titles, including The Fifth Element, Bram Stoker's Dracula, Desperado, For a Few Dollars More, The Guns of Navarone, Hitch, House of Flying Daggers, A Knight's Tale, Kung Fu Hustle, The Last Waltz, Legends of the Fall, Resident Evil Apocalypse, RoboCop, Sense and Sensibility, Stealth, Species, SWAT and XXX. Black Hawk Down and The Bridge on the River Kwai will also be available on 50 GB, dual-layer Blu-ray Discs Summer 2006.

Commencing Summer 2006, SPHE will begin adding bonus BD Java games, and other anticipated features, to new release titles including Underworld: Evolution that will street day-and-date with DVD. The studio announced it will also deliver four catalog titles per month beginning this Summer, accelerating to 10 titles per month by the fourth quarter 2006. Also being readied for Summer release is the complete television series of sci-fi favorite, Stargate Atlantis, in high-definition.

At Blu-ray Disc launch, Paramount Pictures Home Entertainment will release Four Brothers, Sahara, Aeon Flux, Sky Captain and the World of Tomorrow, The Italian Job, Tomb Raider, U2: Rattle and Hum, Sleepy Hollow, We Were Soldiers and The Manchurian Candidate. Paramount will continue its roll out of Blu-ray titles throughout 2006 and beyond, including the highly anticipated release of Mission: Impossible: III alongside Mission: Impossible and Mission: Impossible 2. These titles will also be available for HD DVD, the format competing with Blu-ray, which the studio supports as well.

Twentieth Century Fox Home Entertainment's initial titles include Fantastic Four, The League of Extraordinary Gentlemen, Behind Enemy Lines, Kiss of the Dragon and Ice Age along with others that will bring Fox's total number of first wave releases to 20 titles.

Liongate will add to the mix 10 titles, including Lord of War, The Punisher, The Devil's Rejects, Saw, T2: Judgment Day, Reservoir Dogs, Total Recall, Dune and Rambo: First Blood. The line-up will also include the upcoming feature film See No Evil.

http://www.comingsoon.net/news/movienews.php?id=12570
 
Bad News For Early Adopters

I previously wrote that the finalization of the AACS copy protection standards were being delayed by industry debates over whether or not image constraint should be included as mandatory. Image constraint is, of course, the nasty reduction of high-resolution images to standard resolution at the analog component video outputs of HD DVD and Blu-ray Disc players. Such a move would abandon early adopters, the people most likely to purchase HD on disc as soon as it becomes available, the people who would drive the new formats forward by proselytizing HD optical discs by demonstrating them to friends and neighbors, and the people who helped make DVD the success it is today.

The debate is over and the results are not good. Image constraint will be mandatory in hardware and optional in software. In other words, all players must be capable of recognizing and acting upon a flag in the digital data stream called Image Constraint Token. The studios will have the option of setting this flag to either the on state or the off state. When on, the player would reduce the resolution of high-definition images by 50% in both dimensions. The 1080 format measures 1920 pixels wide by 1080 pixels high; the reduced resolution would be 960 pixels wide by 540 pixels high. It isn’t clear how that would be done, but I suspect the players would simply throw away every other pixel in each direction, substituting the previous pixel for the discarded pixel. If I’m correct, the video would still appear to monitors as 1080, but the resolution would be substantially reduced:

Conventional DVD: 720 by 480 pixels; 345,600 total pixels
Full resolution 1080i/p: 1920 by 1080; 2,073,600 total pixels
Constrained 1080i/p: 960 by 540; 518,400 total pixels

So constrained HD will have one quarter the resolution of full resolution HD. But one promise has been kept; the industry always maintained that, if imposed, the constrained output would look better than conventional DVD. And as you can observe, constrained HD will have 50% higher resolution (50% more pixels) than conventional DVD.

As I explained in my columns warning about this possibility, the hardware manufacturers did not support image constraint; specific motion picture studios drove the requirement. They argue that few consumers will be able to tell the difference between constrained images and full resolution. Frankly, I’m not sure if this assertion is correct or not. Admittedly, the average consumer hasn’t even bought an HD-ready display. But what I can say with confidence is that early adopters are equipped to see the differences and are sufficiently perceptive to tell the difference. And I don’t agree with the suggestion that the owners of seven million HD-ready displays limited to analog component video inputs constitutes a “few.”

Since the studios are not in agreement on whether or not to impose image constraint, you can expect some discs to be at full resolution and others to be constrained at the analog outputs. And it’s even possible that older films from studios that opt to impose image constraint on newer films may be full resolution. To help you with this confusion, my understanding is that each HD disc’s keepcase will be required to specify whether that particular release has image constraint enabled or not, so you will have the choice of passing up those titles.

I was surprised by reports that identified the studios that supported and opposed image constraint. My perception of various studio positions was apparently quite wrong. 20th Century Fox Home Entertainment has been reported to oppose image constrint. Buena Vista Home Entertainment, Universal Studios Home Entertainment, and Paramount Pictures Home Entertainment are expected to take advantage of the flag. It is not yet clear whether Sony Pictures Home Entertainment will; I expected them to oppose image constraint. But my biggest surprise was the report that Warner Home Video was the strongest proponent. I had expected Warner and Fox to be on the opposite sides. Fox, I owe you an apology.

The Weinstein Company goes HD DVD

You’ll recall that Bob and Harvey Weinstein parted company with Miramax. They founded a new studio called The Weinstein Company. Now come reports that their new production company has declared for HD DVD. At Miramax, the Weinstein’s managed to produce some very fine films and they captured a disproportionate number of Academy Awards, so this is a significant development for the HD DVD camp.

In case you don’t know what the Weinstein’s have up their sleeves, here are some of the titles you may expect:

Awake (Jessica Alba, Hayden Christensen)
Breaking And Entering (Jude Law, Juliette Binoche, Robin Wright Penn)
Decameron (Hayden Christensen, Mischa Barton)
Derailed (Jennifer Aniston, Clive Owen)
Grind House (A Quentin Tarantino, Robert Rodriguez Vehicle)
Hoodwinked (CGI Animation, Glenn Close, Jim Belushi, Anne Hathaway)
Killshot (Diane Lane, Mickey Rourke, Thomas Jane, Rosario Dawson, Johnny Knoxville)
Last Legion (Colin Firth, Ben Kingsley)
Lucky Number Slevin (Bruce Willis, Josh Hartnett, Lucy Liu, Morgan Freeman, Ben Kingsley)
Mrs. Henderson Presents (Judi Dench, Bob Hoskins)
Passion Of The Clerks (Kevin Smith’s next effort)
Pulse (Kristen Bell, Christina Milian, Ian Somerhalder)
Scary Movie 4
School For Scoundrels (Billy Bob Thornton, Jon Heder)
Sin City 2
The Libertine (Johnny Depp, Samantha Morton)
The Matador (Pierce Brosnan)
Transamerica (Felicity Huffman)
Wolf Creek (Horror Film From Australia)
Young Hannibal (A Hannibal Lecter prequel)

Not too shabby. The format war just got hotter.

http://www.dvdfile.com/index.php?option=com_content&task=view&id=5274&Itemid=11
 
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